Event
Borderline
BackTours
Théâtre Luxembourg
Meaux / France
Centre d'Art et Culture
Meudon / France
Théâtre de Cornouailles
Quimper / France
Théâtre Bethune
Béthune / France
(Les 12 et 13 février)
Grand Théâtre
Bordeaux / France
Le Parvis
Ibos / France
Théâtre Victor Hugo
Bagneux / France
Le Théâtre
Caen / France
Le Théâtre
Béziers / France
Espace J. Prévert
Aulnay-sous-Bois / France
For 13 dancers 
Created at the Berlin Komische Oper in June 2002.  
French premiere : September 2002, Maison des Arts de Créteil.  
Timing : 75 mn
By Blanca Li and the Studio Orta 
Choreography and conception : Blanca Li 
Music : Matthew Herbert and Tao Gutierrez 
Textile architecture and conception : Lucy Orta 
Installation and video conception : Jorge Orta 
Video : Charles Carcopino, Maison des Arts de Créteil 
Lights : Jorge Orta and Thierry Lenain.
Producers : Berlin Ballett at Komische Oper Berlin, the Compagnie Blanca Li Paris, Studio Orta Paris, la Maison des Arts de Créteil, le Moulin du Roc Niort, l’Opéra de Massy, La Caisse des Dépôts en faveur de la danse, la Direction Régionale des affaires culturelles d’Ile de France - Ministère de la Culture et de la Communication.
Borderline is a choreographic project at the  intersection of dance,   music and art, which explores the thin line  between normality and   insanity. Deeply impressed by Lucy and Jorge Orta's project “Life Nexus“  at the Psychiatric Clinic  Robert Giffard in  Québec, Blanca Li managed  to work with those two artists for  her own creation. Their creative  trio focused its research on a contemporary madness. Who is really crazy   ? Lunatics walking in the street ? The world itself ?  Always with  humour  and a great sense of comedy, Borderline explores the  numerous  ways of  being "different": from those who indulge in craziness  to  those who  suffer from it. A tragicomic show, oscillating   between  dynamic fits and darker moments of despondency.
The  choreography itself is developped from the constraint of objects created  by Lucy and Jorge Orta. The accessories and moves were born at the same  time, during the phase of writing. The theme of constraint is declined  in various ways in every scene of this total performance, structuring  the matter as well as the body, in the rythm of burlesque and reflexive  situations.
 
		